steve
miner
Steve
Miner, Director of 'House' is more than qualified when it
comes to the genre of Horror films. Having served as Director
on 'Friday 13th part II' and 'Friday 13th part III'. Born
and raised in Westport, Conneticut, Miner's interest in film
began as a young boy,when his mother, a film librarian, would
bring films home for the family's evening entertainment. |
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Though
no-one had any idea at the time, the passion of filmaking was
beginning to develop.
Miner
began his career in the motion picture industry as a production
assistant on an industrial film about brake linings. His next
job was laying in the sound effects for "Wide World of Sports
Car Racing Events" shows. He then went on to make educational
films for the Time-Life Corporation.
It
was while working on these films that a theatrical film crew moved
into Westport to make 'Last House on the Left'. Miner wasted no
time in convincing the Producers and Director to hire him as a
production assistant. Due to his hunger to learn moviemaking and
his eagerness to participate in all aspects of the film, Miner
volunteered for every job possible. His responsibilities were
quickly broadened and his knowledge rapidly grew.
After
the film was completed and in release, Stephen wanted to further
enhance his editing skills. He hired himself out as an editor
on New York art films, which led to a job editing film for the
National Hockey League. By this time he had honed quite a talent
for the cutting room.
Miner
next formed his own production company, making industrial films.
This was not enough to harness his creative energy and feeling
the need to grow and use his talent to the fullest, he moved to
the movie capital of the world, Los Angeles. It was shortly after
he arrived that he co-produced and edited a film called 'Here
Come the Tigers'. This project paved the way for 'Friday 13th
part II' which he produced and directed. Following Part II's enormous
box office figures, Miner went on to produce and direct its 3-D
Sequel 'Friday 13th part III' and of course, direct the wonderful
'House' from Ethan Wiley's screenplay.
Miner
lives in Los Angeles with his wife and two children.
Director
Texas Rangers (2000)
Lake Placid (1999)
"Wasteland" (1999)
TV Series
"Dawson's Creek" (1998)
TV Series
Halloween H20: Twenty
Years Later (1998)
aka Halloween 7 (1998)
(USA)
aka Halloween: H20
(1998) (USA: promotional title)
aka Halloween: H20
(20 Years Later) (1998) (USA: promotional title)
"Practice, The" (1997)
TV Series (multiple episodes)
Big Bully (1996)
"Chicago Hope" (1994)
TV Series
My Father the Hero
(1994)
aka Daddy Cool (1994)
aka My father, ce héros
(1994) (France)
Sherwood's Travels
(1994)
"Diagnosis Murder"
(1993) TV Series
Forever Young (1992)
Wild Hearts Can't Be
Broken (1991)
Warlock (1989)
"Wonder Years, The"
(1988) TV Series (multiple episodes)
House (1986)
Soul Man (1986)
Friday the 13th Part
3: 3D (1982)
aka Friday the 13th
Part 3 (1982) (USA: video title)
Friday the 13th Part
2 (1981)
Producer
"Dawson's Creek" (1998)
TV Series
Warlock (1989)
"Wonder Years, The"
(1988) TV Series (supervising)
Friday the 13th Part
2 (1981)
Friday the 13th (1980)
(associate)
Last House on the Left
(1972) (assistant)
aka Grim Company (1972)
(USA: 16mm release title)
aka Krug and Company
(1972)
aka Night of Vengeance
(1972)
aka Sex Crime of the
Century (1972)
Editor
Here Come the Tigers (1978)
Actor
Friday the 13th Part
3: 3D (1982) .... Newscaster
... aka Friday the
13th Part 3 (1982) (USA: video title)
Crew
Last House on the Left
(1972) (assistant editor) (production assistant) (title designer)
aka Grim Company (1972)
(USA: 16mm release title)
aka Krug and Company
(1972)
aka Night of Vengeance
(1972)
aka Sex Crime of the
Century (1972)
Director
Steve Miner left his mark with me in the unique sense of forboding
that he is able to bring to the House within the opening frames
of the film. Whilst his uncanny judgement of what should remain
unseen is always on form, he is also able to maintain both comedy
and genuine drama within a fantastical concept. Miner's direction
leads us through the narrative with astonishing visuals and a
real sense of the living, breathing architecture of the House.
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